This Year is almost done and i want to show you my best of 2019. many of them maybe you know but a couple you will see the first time. I wanna Say thank you for really nice support, doesnt matter where. Socialmedia is a big part of our busines but even a really time-consuming thing. 2020 will be even more for me but im looking forward to all of this. See you all in the next Year, the next season, if client (thank you so much for your trust and i can sey i really had good clients this year, im so happy about you all), my Suporters in Social Media, ( also to all who all the time click, like, comment or share).So now, enjoy my images,
This was my first night session in Daytona, of course, there was it really crowded at this location but we all had the respect to each other and shared the space for almost the same spot. I did some closer shots as normal used the 400 and tried my best. This was one of my favourite shots of all, about the green lights at the rear of the Ford makes it much more nicer than the other cars in that situation.
Canon 1dx II | 400 mm | 1/15 sec | f2,8 | ISO 100
The Stadium of Daytona is really huge. I was really impressed about it, and the lights makes us to shoot quite nice. Personally i do like the night in Daytona much better than the Day.
Canon 1dx II | 24 mm | 1/15 sec | f5,6 | ISO 320
After now couple years of being a Photographer I do really like Black and White Images, the colors don’t distract the view of the captured moment. But it doesn’t always work out well.
Canon 1dx II | 35 mm | 1/1000 sec | f1,4 | ISO 125
moody day in Daytona
Canon 1dx II | 105 mm | 1/8000 sec | f1,4 | ISO 100
the enormous fencing around the outside of the oval is just insane. Can you imagine you stay at the fence and the cars pass you with over 300 km/h? here in IMSA isn’t it possible. Sad thing for us.
Canon 1dx II | 560 mm | 1/320 sec | f4 | ISO 1600
The race action was partly good. Only some decisions of the race commissioners could not be understood by everyone. But the final demolition is okay.
Canon 1dx II | 105 mm | 1/800 sec | f1,4 | ISO 125
Indy baby. The first time i will never forget, it was just so different than everything i Photographed before and it was so good.
Canon 1dx II | 560 mm | 1/1000 sec | f4 | ISO 160
Indy and Street-circuit, a perfect combination, that was not the only i could get in the Indycar Series this year.
Canon 1dx II | 24 mm | 1/8000 sec | f1,4 | ISO 800
Hard pushing makes Champions like Josef.
Canon 6D | 105 mm | 1/4000 sec | f1,4 | ISO 100
Glory Sunrise in Sebring. many people love the 12 h of Sebring, the race is rough, the Sun mostly hard and the Sunrise and the late Sunset amazingly beautiful.
Canon 1dx II | 24 mm | 1/30 sec | f13 | ISO 100
The Sebring Fans are in my eyes in north america the best. They give us the opportunity to becoming creative.
Canon 1dx II | 70 mm | 1/200 sec | f2,8 | ISO 800
It was a dream since I Photograph Racing to go to Long Beach. In 2019 I was able to make it happen and it was so cool. Tough to go around but so many nice spots to be creative and even Standards looks really nice.
Canon 1dx II | 400 mm | 1/2000 sec | f3,2 | ISO 160
SST „Stadium Super Trucks“, A thing the most fun Racing i ever seen in my life now. just „wow“ how high they jump, that’s just fun for everyone.
Canon 1dx II | 105 mm | 1/8000 sec | f1,4 | ISO 250
Indycar Part two for me and then on such a nice place like Long Beach, tbh, it cant be better, special when the Indys race through the tunnel.
Canon 1dx II | 24 mm | 1/4000 sec | f4 | ISO 1000
If i Want to find the special in the normal places, i know that’s possible here,. Here is much more potential then you can see in that image but even this is what i really like on it.
Canon 1dx II | 24 mm | 1/4000 sec | f1,4 | ISO 200
As an Spectator i would love LongBeach, may one of the best Tracks to get nice panning shots on a Street Circuit.
Canon EOS R | 24 mm | 1/5 sec | f16 | ISO 50
I cant wait to go back to Long Beach in 2020, here on that place i have to get way more creative images then this year. I struggle sometimes the first time on new Spots but thats a part of the job.
Canon EOS R | 24 mm | 1/4 sec | f10 | ISO 100
The Scenario in California always work well. 2020 is coming one of my favourite Drivers to IMSA Series. That will be lot of fun for sure.
Canon 1dx II | 24 mm | 1/8000 sec | f1,4 | ISO 160
Streets of Long Beach.
Canon 1dx II | 190 mm | 1/2000 sec | f2,8 | ISO 125
This is maybe one of my favourite of the favourites. Colors and architectural matches perfect.
Canon 1dx II | 24 mm | 1/10 sec | f11 | ISO 50
Always an american thing, Jets everywhere.
Canon 1dx II | 24 mm | 1/5000 sec | f1,4 | ISO 250
I like the spa pit entrance, but not when just the light is good, you need more than just a fitting moment, the mood has to be right and this is right when the steam of the rain rises and the light is perfect.
Canon 1dx II | 400 mm | 1/4000 sec | f2,8 | ISO 640
we do all love eau rouge, the maybe best corner in the Motorsports – World.
Canon 1dx II | 24 mm | 1/8000 sec | f1,4 | ISO 640
The BMW Guy’s in lineup.
Canon 1dx II | 105 mm | 1/400 sec | f1,4 | ISO 100
full concentrated for the upcoming Practice (Augusto Farfus).
Canon 1dx II | 24 mm | 1/500 sec | f1,6 | ISO 320
Photo Marcel Langer / DPPI
When getting ready for line up the Cars (Tom Coronel)
Canon 1dx II | 105 mm | 1/6400 sec | f1,4 | ISO 160
Photo Marcel Langer / DPPI
Fun Moment with Mikel Azcona Troyas in the Car, he was pushing and i was working.
Canon 1dx II | 14 mm | 1/160 sec | f5,6 | ISO 500
Photo Marcel Langer / DPPI
Coming and going. Manny People liked the M8 from BMW Motorsport, but we only can see them in IMSA anymore. Sad for BMW Fans.
Canon 1dx II | 105 mm | 1/2500 sec | f1,4 | ISO 160
Like the BMW is the Le Mans from 2019 the last of the Ford engagement.
Canon 1dx II | 24 mm | 1/8000 sec | f1,6 | ISO 100
We saw in the past a lot of art cars, here we had the first time a LMP1 Artcar of Rebellion Racing.
Canon 1dx II | 400 mm | 1/1250 sec | f2,8 | ISO 160
Love it to work in the Pitlane in Le Mans, the lights are nice and there is always lot to capture.
Canon 1dx II | 105 mm | 1/800 sec | f1,4 | ISO 400
Philipp Eng the Factory Driver of BMW Motorsport gave Roland Ratzenberger Tribute a honor with a beautiful design of his helmet for the Race.
Canon 1dx II | 105 mm | 1/400 sec | f1,4 | ISO 1320
The evening light in Lemans can be really nice, for the Practice we got a really nice sunset. So for the Race wasn’t that important anymore.
Canon 1dx II | 24 mm | 1/50 sec | f8 | ISO 250
Even the Testing with different Gear is a Part of our job, and i have to say, Yes the Sony A9 was quite nice to use for a Day.
Sony A9 | 400 mm | 1/2000 sec | f2,8 | ISO 400
Aston Martin in perfection.
Canon 1dx II | 24 mm | 1/6400 sec | f1,4 | ISO 100
The eye of a winner guy, Gustavo and his team mates could show in 2019 how it is to race against Goliath.
Canon 1dx II | 105 mm | 1/2500 sec | f6,3 | ISO 20.000
This image i had in my eyes since my first time i was coming to Le Mans. The composition is for me perfect and the dark blue mood perfect.
Canon 1dx II | 400 mm (Panorama) | 1/320 sec | f2,8 | ISO 1600
The Sunrise ist what we love in Le Mans but what doing if we probably didn’t get one? We wait and wait and hope and hope and finally we got one for couple minutes.
Canon 1dx II | 200 mm | 1/640 sec | f5 | ISO 100
The GTR, a true Monster but a beauty in front of a Camera
Canon 1dx II | 105 mm | 1/4000 sec | f1,4 | ISO 160
As a Munich guy i really like the M6.
Canon 1dx II | 24 mm | 1/4000 sec | f1,4 | ISO 160
Team Schnitzer is ready for the Practice
Canon 1dx II | 24 mm | 1/2500 sec | f1,4 | ISO 250
I worked that Weekend for BMW Motorsport, so i was more closer than normal with the Teams of BMW.
Canon 1dx II | 24 mm | 1/30 sec | f11 | ISO 125
Portrait of Augusto Farfus
Canon 6D | 105 mm | 1/1000 sec | f1,4 | ISO 800
Where to go for sunrise at the great Nordschleife? always a hard question. Wehrseifen is perfect fore.
Canon 1dx II | 24 mm | 1/8 sec | f16 | ISO 125
Pitlane action is the best. The N24h Race Pit Stops are not so crazy busy like IMSA and WEC, but i like it you have bit more time to get that image you want.
Canon 1dx II | 24 mm | 1/2500 sec | f1,4 | ISO 125
Where to go for sunrise at the great Nordschleife? always a hard question. Wehrseifen is perfect fore.
Canon 1dx II | 105 mm | 1/8000 sec | f1,4 | ISO 125
The Final minutes are nice at the N24h, after 24h is everyone just happy to finished the Race.
Canon 6D | 105 mm | 1/800 sec | f1,4 | ISO 100
The Glen becomes a fixture on my Racing schedule
Canon 1DxII | 24 mm | 1/100 sec | f1,4 | ISO 1250
It’s all about the Blue
Canon 1DxII | 105 mm | 1/60 sec | f5,6 | ISO 100
Framing is King and at Watkins Glen i can’t work different, it’s perfect for it.
Canon 1DxII | 105 mm | 1/2000 sec | f1,4 | ISO 200
Yellow arrow
Canon 1DxII | 105 mm | 1/5 sec | f16 | ISO 50
Orange Framed.
In Watkins Glen is everything bright blue, just the Grandstands behind the Pitlane is Orange Yellow, a perfect contrast who make that place so nice for creative images
Canon 1DxII | 105 mm | 1/10 sec | f16 | ISO 50
Golden Lexus
Canon 1DxII | 200 mm | 1/1250 sec | f2,8 | ISO 100
blue Tire wave
Canon 1DxII | 24 mm | 1/6 sec | f14 | ISO 100
I cant tell more about Watkins Glen, the Blue matches always nice
Canon 1DxII | 125 mm | 1/2000 sec | f4 | ISO 125
CTMP, my first Canadian Racetrack i have worked at and it is a nice place to shoot cars in action. a couple spots remembered me back to the Nordschleife.
Canon 1DxII | 200 mm | 1/4 sec | f22 | ISO 250
Double trouble, the Porsche are quick, nice and in my opinion the best sound machines of all.
Canon 1DxII | 400 mm | 1/500 sec | f2,8 | ISO 125
That image is more than emotional, the first time i could celebrate with my Team.
Canon 1DxII | 400 mm | 1/8000 sec | f2,8 | ISO 200
IndyCar Part three, and also the third Street Circuit. its the Year of Street Circuits for me.
Canon 1DxII | 24 mm | 1/2,5 sec | f16 | ISO 50
A fife times Championship winner is ready for the next Race
Canon 1DxII | 105 mm | 1/2000 sec | f1,8 | ISO 250
Its all about how you start
Canon 1DxII | 105 mm | 1/6400 sec | f1,4 | ISO 100
when you find the only place for a panning
Canon 1DxII | 24 mm | 1/13 sec | f14 | ISO 160
Spaceship in the wood
Canon 1DxII | 400 mm | 1/13 sec | f25 | ISO 100
Lines of Speed, Lime rock is like CTMP and Watkins Glen an really northern and nice Track, very small but cool.There are many opportunities to shoot.
Canon 1DxII | 400 mm | 1/3 sec | f32 | ISO 50
A word to all who say it is difficult to take cool images from spectator areas, in Lime Rock you can do this from almost everywhere. amazing Track for Fans.
Canon EOS R | 105 mm | 1/5000 sec | f1,4 | ISO 100
Even that image is taken from the Spectator Area. Use all the time everything which is your foreground.
Canon 1DxII | 75 mm | 1/3 sec | f29 | ISO 50
Speed is everything you need.
Canon 1DxII | 400 mm | 1/2,5 sec | f32 | ISO 50
Lady with red dresses are looks beautiful, Cars from Italy too.
Canon 1DxII | 105 mm | 1/640 sec | f2 | ISO 160
Nr. one in my list… (1)
Canon 1DxII | 105 mm | 1/5 sec | f16 | ISO 50
Eau rouge and Raidillon wasn’t possible to shoot nice anymore, they said, i was doing ma best and got different shots as the races before.
Canon 1DxII | 105 mm | 1/6 sec | f16 | ISO 50
the limits of physics are not existent
Canon 1DxII | 400 mm | 1/3 sec | f40 | ISO 50
Practice Days have mostly better weather conditions.
Canon 1DxII | 400 mm | 1/2000 sec | f2,8 | ISO 100
warp Speed, i guess that looks close for the driver.
Canon 1DxII | 400 mm | 1/13 sec | f13 | ISO 1000
When a 24h Rain Race is starting, you got soaked straight before the countdown starts.
Canon 1DxII | 105 mm | 1/640 sec | f2 | ISO 400
Light trail and a blue Night Sky. Spa is nice, also in the night
Canon 1DxII | 24 mm | 10 sec | f10 | ISO 100
The Spa Pitlane, is with rain and in the night the best i ever shot so far.
Canon 1DxII | 24 mm | 1/400 sec | f1,4 | ISO 400
Lollipop in the Night
Canon 1DxII | 105 mm | 1/320 sec | f1,4 | ISO 400
Part one of Spa Colors
Canon 1DxII | 105 mm | 1/1000 sec | f1,4 | ISO 320
Part two of Spa Colors
Canon 1DxII | 105 mm | 1/1000 sec | f1,4 | ISO 320
Laguna Seca gives you couple nice variations to capture a Racecar, specially at the morning light it is beautiful in California. on the noon Sun it is difficult but when the sun goes more west the light turn more soft and the shadows goes longer and nicer.
Canon 1DxII | 105 mm | 1/8000 sec | f1,4 | ISO 160
give us fog and just a little moody light, we do shoot Motorsport on a different than normal
Canon 1DxII | 105 mm | 1/1000 sec | f1,4 | ISO 125
when normal Images becoming unique, here is the mood of light what the image makes so special.
Canon 1DxII | 105 mm | 1/1250 sec | f1,4 | ISO 200
the Laguna Shot, for some its the Corkscrew, for me it is this.
Canon 1DxII | 24 mm | 1/10 sec | f16 | ISO 100
vertical panning shots are upgradable but that one is one of my best in 2019
Canon 1DxII | 400 mm | 1/8 sec | f25 | ISO 50
the evening shadow game
Canon 1DxII | 560 mm | 1/2500 sec | f5,6 | ISO 1000
little art is sometimes that what we want to show you
Canon EOS R | 24 mm | 1/6 sec | f22 | ISO 100
i got bit scared as the mechanic throwed the airgun in to my direction.
Canon 1DxII | 24 mm | 1/8000 sec | f1,4 | ISO 100
masked Portrait
Canon EOS R | 105 mm | 1/320 sec | f1,8 | ISO 100
on the Bridge, the last IMSA in 2019
Canon 1DxII | 105 mm | 1/3200 sec | f1,4 | ISO 160
Best livery change of the season (Part 1)
Canon 1DxII | 105 mm | 1/3200 sec | f1,4 | ISO 160
Light trail part x
Canon 1DxII | 400 mm | 1/4 sec | f9 | ISO 100
Lexus in Space
Canon 1DxII | 70 mm | 1/2 sec | f16 | ISO 320
it took a little to get that how i wanted
Canon 1DxII | 560 mm | 1/5000 sec | f8 | ISO 2500
Best livery change of the season (Part 2)
Canon 1DxII | 24 mm | 1/10 sec | f5 | ISO 125
and the sun goes down
Canon 1DxII | 24 mm | 1/100 sec | f3,2 | ISO 125
the hardest Race Track to go around, Street Circuit part 4 in 2019
Canon 1DxII | 24 mm | 1/8 sec | f16 | ISO 50
Black and Yellow everywhere,
Canon 1DxII | 105 mm | 1/13 sec | f16 | ISO 160
always on the podium,
Canon 1DxII | 24 mm | 1/100 sec | f7,1 | ISO 125
Good Bye and we see us in 2020,
Canon 1DxII | 24 mm | 1/250 sec | f1,4 | ISO 200
See you all in 2020
your Marcel
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